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It was really fun to take social dynamics from history and interpret them in a way that felt relatable. I was less interested in the political side of history, just like Marie was, so I tried to put in the least amount of politics as possible. Photo: Leigh JohnsonĬoppola: There was so much detail in Antonia’s book that I had to edit down based on what gave the best impression of Marie’s story. Many historians behave as if she was born in France, when in fact one of the most dramatic moments in Marie’s life-which Sofia told me really struck her in my book-is when her doggy is taken away and she is stripped of her Austrian clothes in the forest.īefore being received in France, Marie Antoinette was stripped of her Austrian wedding gowns (down to her stockings and underwear) in order to don French-made garments. As I researched her story, I began to realize she was very different from what history has portrayed her as. Lady Antonia Fraser, author of Marie Antoinette: The Journey : She was a childhood passion of mine. I wanted to adapt Antonia Fraser’s book because her attitude was so different from other biographies about Marie.
I thought it’d be interesting to approach 18th-century France through that New Romantic lens. I grew up in the ’80s so my first exposure to that era was through bands like Adam and the Ants.
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Sofia Coppola, Marie Antoinette director/writer: My attitude was, “How would Marie want a movie about her life to look?” I’ve always loved that period, and she’s such a mythic figure. Coppola often alternated between writing Marie Antoinette and the script that became her second feature, a story about a young American woman and a fading movie star in Tokyo. She enjoyed working her way through Marie Antoinette’s teendom-the parties, the fashion-but was less engaged by her tragic final years. “I Was Less Interested in the Political Side of History’”Ĭoppola struggled to condense the queen’s short but eventful life into a film that felt accessible. To commemorate its anniversary, Vogue talked to the cast, crew, and more about how Marie Antoinette came together.
#MARIE ANTOINETTE MUSIC TUTOR AFRICAN HOW TO#
I had this idea of how to interpret her life in a way that felt youthful and girly instead of academic.” “I felt compelled to portray how her story had been misrepresented over time. “Marie was just 14 when she got sent over from Austria to become the Queen of France,” Coppola recently told Vogue. Rather than reduce the queen to a sentence she never actually said-“Let them eat cake”-Coppola wanted to show Marie Antoinette as she was: a young woman never taught to consider life outside the gilded gates of Versailles. There would be no beheadings in her script-nor much to do with the French Revolution at all. “Above all, I have attempted to tell Marie Antoinette’s dramatic story without anticipating its terrible ending.”Ĭoppola wanted to do the same with a film. “The elegiac should have its place as well as the tragic, flowers and music as well as revolution,” Lady Antonia wrote in her author’s note.
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Of all the books Coppola read about the doomed teen queen, she considered Lady Antonia’s to be “the best one… full of life, not a dry historical drama.” Unlike other portraits, which drew her as an overindulgent harpy who deserved to lose her head, Marie Antoinette: The Journey approached its subject with a radical sense of empathy.
She had optioned the film rights to the esteemed British historian’s best-selling biography, Marie Antoinette: The Journey. Near the start of 2001, Sofia Coppola wrote to Lady Antonia Fraser on a piece of personalized, pale-blue stationery.
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